i may have a snuggee for a curtain at the moment but i’m pretty much totally unpacked and moved into my sweet west philly apartment. bg, my new roommate met me at the train station and we squeezed all of my possessions into her spacious hatchback.
this is what i was working with. sweet windows and nice floors.
everything is unpacked but some stuff still needs a place. and i definitely need some sweet curtains for these tall windows. in the meantime a few glimpses of my space…
shadow boxes with work and tchotchkes from all over.
bowl and saucer by sarah tancred, octopus rattle by kelly sullivan
mini wall piece by jamie bardsley
wall button by kelly sullivan
another wall button and one of my first art purchases, plate by lisa orr
when i move i purge. but it’s hard for me to let go of work sometimes, even if it’s suffered some damage and can’t be shown again or sold. sometimes pieces are transitional work which will lead to something else, and sometimes, it’s JUST too soon. these works go to the boneyard of art which is my parents beautiful overgrown gardens. they both love to garden and grow fruits and vegetables and succulents. here are some snaps of work i left behind before heading up here to PHILADELPHIA!
my last night at the clay company was spent doing the 8-midnight shift with j. at midnight matt said we might have as little as 45 minutes left so i decided to stay until the end. approximately 5 hours later we shut the anagama down. it made for a pretty delirious day at work, but it was worth it! here are a couple of pics i snapped between side stokes.
"i'm hot to burn this sonovabitch" (paulina, what up!)
super hot and bright.
basically freezing except when stoking.
i found it really amazing to watch matt and don work. they seemed to know what was happening inside the kiln at every moment. or they would open up a peep hole and glean a ton of information. when i fire the little soda, i’m never FULLY confident that i know what is happening. in the anagama with multiple stoke points and all kinds of dynamics going on inside i was totally blown away by their extreme knowledge, confidence and control. amazing!
today was a long exhausting day. after staying up until 5am helping finish the anagama, i tried to sleep for a couple of hours before heading to work. somewhere along the line i got the drift that something had happened in haiti but i didn’t know what. i went home and crashed and when i woke up to the news, in my sleepy state, man, it sucked.
with no extensive resources at my disposal i went online a few minutes ago and donated $10 to doctors without borders. i also checked the red cross website. according to it they are not having a shortage of blood supplies and are able to meet the need in haiti, but since my blood is 0-, which is a universal donor, i’m going to try to donate anyway tomorrow.
10 bucks and a pint of blood, it’s all i’ve got but i’ll give it. my heart goes out to everyone in haiti and everyone not in haiti trying to find out what’s what with friends and family.
p.s. thanks to wilson, melis and adam for getting me around yesterday and today sans car.
am i turning over a new leaf? no, not really, but i did delve into the new year making some functional work. the residents at st. pete clay (and a few others) are doing a shot glass exchange. i’m running around with a chicken with my head cut off with moving preparation and working as much as possible but i took a few hours on jan. 3rd to make some shot glasses. you can’t really tell from the images but they are just a little bigger than a large shot glass. i had to bring my operation inside to the kitchen counter because it was absolutely TOO cold to work outside.
the cups are currently roasting away in the annual anagama firing at the clay company. visiting artists don reitz, matt long and john ballisteri are captaining the firing. i was disappointed to have to be so much less involved than last year, but thems the breaks. i signed up for a stoking shift on saturday with some of my favorite girls (wilson, marlena) and we were kicking it old skool around the anagama. i have no idea what the p10 porcelain will look like wood fired, but hopfully it will be nice. i even lined them with shop clear. i felt like a real potter!
actually the kiln won’t be opened until after my departure for philadlephia, but i’ll happily await my first mail in philadlephia: a package of shot glasses from every resident 🙂
i have another shift coming up tuesday night which promises to busy and HOT and side-stoke-tastic.
it’s a bit of a bummer to be on the periphery of this exciting event, but what a nice way to say good bye!