a more realistic day in the studio.

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just a few things to get done.  no big.

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i’ll just knock some important computer work out of the way.

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and read a few books on professional practices, technique and conceptual development. they didn’t just sit there in a pile.  that would be crazy.

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i drew some….i just used invisible ink.

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my work table was sagging under the weight of all my productivity.

 

in my imagination anyway.

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wow, after a day like that i’m gonig to need an additional ware cart.

not.

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christmas?

some of the work i was pleased with from the last firing.  this work was heavily influenced by my summer in japan and further informed by the amazing workshop by bryan hopkins that i was lucky enough to assist with this summer at arrowmont.

bumping up against rainbows: my solo exhibition in shigaraki:)

shigaraki peops: meaghan gates and yumie shukuya

2 three month residents are finishing up.  they both mounted amazing exhibitions last week.  meaghan gates, an artist from california just finished her undergrad at chico state and came to shigaraki as part of a trip funded by the presigious windgate grant she received last year.  before coming to shigaraki she spent a month at a pottery in seto, japan and after she leaves next week she will go to san bao, china for a month.

yumie shukuya is from the gumna prefecture but lives in tokyo.  she recently graduated from tama university, one of the top tier programs for art in japan, where she studied sculpture.

both artists went to undergrads that nurtured conceptual sculpture  thought they both use the wheel in some areas of their work.  the also both make work that falls beneath the umbrella of biomorphic abstraction.  meaghan uses the wheel, almost exclusively, to creae repeated  shapes that she brings together into complex organic compositions.  Some are particular abstract, others evoke more recognizable animal forms such as fowl or mammals which the artist calls comforting.

yumie’s sculptures begin from the idea of a flower, which she sees as a stand in for the human body.  she uses molds to create base forms which she alters and adds onto.  her glazes push the flower-like qualities forward, with thick feldspathic nodules that sit on top of the form like button mushrooms or crawl off the clay body leaving what looks like a naturally occurring pattern.  she also employs variegated glaze colors that bring to mind orchid or hellebore petals.  these colors are echoed in the ink washes she applies canvases which are set behind the installed work.


i’m really thrilled i got to work with these artists this month and see their shows go up.

shigaraki peops: naoki koide

i have been having a great time at shigaraki and one reason for that is all the awesome artists i am getting to know and work next to.  in this little series of blog posts i hope to briefly introduce these awesome people.

koide-san with figure.

naoki koide has appeared in this blog before, in this post about the paul clay show at salon 94.  his work is in the second picture, the pink cloud-like figure in the foreground.  that was my first time to see his work in person.  all i really knew about him was that he was represented by tomio koyama gallery, where agatha and i curated think warm: miami draws for you back in 2006.  turns out he saw the show too!  i’m a big fan of his work and am now a fan of the person as well.

koide-san spends about a week of each month at togei no mori (shigaraki ceramic cultural park) and does his clay work exclusively here. he studied at tokyo zokei university and was at one time a student/assistant of yoshitomo nara.  like nara, he used to work in plastics.  they are both featured in a show at the Museum of Contemporary Ceramic Arts right now (titled doki doki) which features artists working in other media who have created works in ceramic and variety of ceramic artists.

though he is kicking some serious butt with clay he is also beginning to explore sculpting wood, which he can do at his studio at home.  he mentioned that he gets huge chunks of wood from generous wood firing friends around shigaraki.

maquettes and small figures for mini trade

koide-san said his work is always about his family.  earlier works talked about his parents and brother and in his current work he explores his small family of three.  in sculptures of heads, which in scale are much larger than life, he portrays his wife and himself.  he often portrays his wife as larger than himself.  when i asked why that was he said that it is because she possesses more power than he.

maquette of current work.

on one side of these large sculpture an active interior is visible, full of tiny sculptures, paths and, in this series, a large figure symbolizing his young daughter.

back of maquette with inner world.

the seemingly unrelated milieu of items inside the sculpture correlate to the mess of things constantly dancing around in our heads and the placement of the daughter figure explores the different relationships the mother and father have with the daughter.

koide-san with his in progress sculptures. they are only about halfway done!

for the one short week he was in residence koide-san was a great contributor to the fun and comradeship at togei no mori.

his work is up at the new hikarie building in shibuya now.  click the link for images and an interview (with is in japanese but features some great shots of the insides of koide-san’s sculpture).

coffee break.

check back for more run downs on the awesome artists working at togei no mori this month:)

progress

the last week has been kind of bananas.  last friday i had pretty much run out of clay and took the opportunity to go to the clay store and get more, thinking i had another week of building ahead.  that afternoon we had the monthly kiln meeting and i realized i had more like 3 days left.  yikes!

wall collection.

i have amassed a pretty good collection of wall pieces for the installation i will mount before the end of my stay.  i am using a mixture of local clays, both a smooth white and black shigaraki clay and a black clay with the ubiquitous feldspar inclusions.  i am also using (sparingly) arita porcelain from kyushu.

tiny black and white trade pieces.

i have organized a mini- trade with the other residents.  these are my little guys.  see that fake grass under them?  i found a whole case of 12″ x 12″ squares of it in the dumpster and might try to use it for something….

soon to be floor pieces.

floor pieces drying.

lightweight templates.

middle floor piece.

working here the last couple of weeks has been awesome!  i love that all i have to do everyday is just eat, sleep and work.  and being able to wake up and walk right to my studio pretty much rules.

i have been able to put everything else out of my mind and i’ve even had time to do some cooking.  sometimes the residents get together to cook and eat.  i invited everyone to share some nabe one evening and the other night everyone cooked something and shared, kind of like a potlock.

yumie working on her dish.

nabe night.

kimchi nabe.

potluck!

ok, maybe not everything else.  i keep having dreams in which my kitties wonder off.  it’s so weird.  during the day i think “this is so wonderful i hope i can come back and stay longer some day” and at night my brain feels guilty or something.  miss those little nerds:(

violet and junior.

busy day.