some pics of the previously mentioned work. new sculpture, and new blue wall peices.
the idea with these new pieces is for them to go on the walls. i’m embarking on a kind of challenge, figuring out how i would like to finish these. so i’m looking at everything as a test right now, not knowing if anything will come out well. i did some tests with raw materials, trying to keep the surface and the substance closer to each other, and playing with the color clay is the same idea. trying to avoid putting a layer of surface over the whole thing. i GUESS that soda firing amounts to the same thing, a layer of surface treatment on top of raw clay, but i feel that the interaction of the soda, fire, clay and carbon means it’s more of an extenstion of the clay surface vs. a covering of the clay.
with awesome guidence from g.m. i’m looking at artists and doing some reading in a more studious way then the last few years and right now, form wise, i’m really interested in ron nagle, ken price and especially kathy butterly. of course their surfaces are amazing as well, but i love the forms. BUT they all treat the form so intensely with surface, and there is this idea that they are 3d paintings.
i’m really intrigued by the work i’m seeing both in person in philly (super great art town and gearing up for nceca with a plethora of clay exhibitions) and in research, and trying to figure out what kind of inspiration i can take from all this to push my own work forward. definitely moving along at turle pace right now, but i’m not worried.
i put some finishing touches on my first sculpture. coiled a bit on a second larger sculpture. last week i mixed up a batch of porcelain and stirred in a blue mason stain to a portion of it. today i made a couple of wall peices out of it. i also sprayed some test tiles. just testing some raw materials: custer feldspar, nepheline syenite and gerstley borate in the baby kiln.
i’m excited to see what they look like and to put some tests of the blue porcelain in but tomorrow is shaping up to be another snow day. ehhhh…..all this snow.
well, i’ll post some more pictures later this week or next.:-)
well, the big challenge of my new studio life is all this talking. for me, talking, speculation, thinking out loud, comes naturally. but i usually just try to keep my mouth shut when it comes to my work. on the one hand, i’m not so confident talking about my work. on the other, i do think there is a bit of fantasy in my work and i don’t want to give people words to hinge their interpretation on.
it’s about nature, and the nature of things. ehhhhhh, blehh.
maybe this is something i should continue writing about. we’ll see. anyway, here are some shots red sent me of the shot glasses i made for the anagama firing before leaving florida. hopefully soon i’ll get to post shots of all the lovely shot glasses i receive!
thanks red, for the sweet shots!
it’s really weird not living 8 blocks from the studio. i start my job (reproductive health clinic) tomorrow and my schedule is going to be something like thurs-sat. so once i finished up some wall pieces and the sculpture i posted a pic of yesterday, i realized there wasn’t much point in starting anything else. once i get accustomed to these train schedules (and it’s not so death-by-hypothermia cold) i might be able to swing nightly visits to the studio but for the time being i think my best bet might be to work on pieces start-to-finish sunday through wednesday.
today i went with new friend m.d. to visit a very well known local sculptor. i’ll be working with her a few days in the next months prepping/installing work before and after NCECA. her studio was beautiful. seeing her work in person (in the gallery) and in different stages of completion (in the studio) was breathtaking. her husband is also a well established sculptor and it was really inspiring to meet them both. they were super friendly and chatty and asked lots of questions, which of course i kind of geeked out while answering. (i.e. way too long description of the japanese alphabets…….) when i really would have like to hear more about them and their journey to where they are now. hmmmm, well moving forward, i hope to get a little more insight.
it’s true, getting adjusted to a new space kind of sucks. you don’t know where anything is, perhaps like me you didn’t get to bring all your favorite blue plastic and chunks of old foam mattresses. anyway, the point is i feel all awkward in a studio at the beginning. oh, and the clay situation is different (as it turns out better) BUT then i finally just dig in and make something. something that i’m excited about and then i remember why i’m there.
i mean, nothing beats that feeling of satisfaction. i don’t know if it’s just having brought to fruition this image from inside of you or the point when you start to get totally warmed up and loose and the clay and your hands kind of start to do their own thing but it’s good stuff.
anyway, here’s a pic from my phone. i’ll post some later today when it’s finished.
the above picture is of some tiny sculptures i call the saskunei seeds. saskunei means “no worries” in the fukushima dialect of japanese. in late 2007 i attended a sweet kiln workshop in mashiko, japan. it was my first time to fire woodkilns and we fired 4 kilns in 4 days. one of those kilns was the saskunei smokeless kiln built by kusakabe masakazu. months later i would get to visit him at his studio in fukushima, two times and spend a couple of weeks there total. while i was visiting his studio, i made the sculptures above. pretty soon after that i returned to the united states for good. on the way back i had a layover in atlanta, which i extended so i could visit my good friend and potter kelly sullivan. she works over at an awesome studio/gallery mudfire and during the visit, i got to do some work there. i made some monster sculptures and more of these little seeds, which she fired and glazed after i headed back to florida. over one year later, on a trip up to bowling green, ohio, a friend and i stop in on her and after all this time i get to see the finished peices. when i returned to my studio in st. pete, i decided to make a some more of these little guys, as favors for the folks who purchased work from my exhibition. i’ve given a lot of them out as little gifts, but kept at least a few from each batch, and i’ll keep making them.
which brings me to the next stop on this train line, philadelphia, pa. i’ve “graduated” from my residency in st. pete and in january i’ll be moving up to philly. i started this blog to write about the good times, struggles and process of the clay life and hopefully the next year will bring more to write about.
ok, i literally took one picture the whole day. i snapped this quick pic with the intention of going back for more but you know how it goes sometimes.
oh, wait no, there were two, liz and sarah aka femme covert’s fabulous wares.
we were crammed together pretty tight between the tables. luckily robin from neckeds didn’t really mind when i touched her butt on accident. speaking of butts, i think the best story of the day was when robin’s friend pointed out the sign i’d put on the group of these little sculptures:
the sign said “butt” seeds 3 for $15. they were all like, “are those really for your butt?” which totally shocked me. because they are, you know, seeds WITH butts, not seeds FOR butts.
bottom line–aesthetically speaking i’m more about poop than sex so i changed the sign. haha.